Early Favorites in a Showcase for New Filmmakers

Killers and clowns, the quick and the dead roam through New Directors/New Films, the annual showcase of promising and confirmed cinematic talent that begins on Wednesday. Now in its 42nd year, the series was established to present work from emerging filmmakers from across the globe back when such festivals were rare. A joint venture of the Film Society of Lincoln Center and the Museum of Modern Art, where all the screenings will be held, it remains a laudatory New York event. These days, though, what’s sometimes missing is a diversity of cinema, not just of countries. As a result this now largely digital festival can feel padded with titles that seem to have been chosen because they weren’t directed by a European or another white guy. Just as bad, some also seem to have been created with art-film software: Cue the overlong take of someone staring into space. Such movies seem made for programmers, and it’s worth noting that this is the same series that played Steven Spielberg’s “Sugarland Express” (1974) and George Miller’s “Road Warrior” (1982). That said, there is much to cheer, and here are our picks for the first week.( From The New York Times )

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